I went to see the Prince Musicology
2004Ever tour at the Fleet Center other night.
It was a good show. I’d give it a
solid “B.” For me, none of these past
peak performers who used to put on a dazzling show can ever truly match the
intensity, creativity and sheer newness of an “A” performance in their
prime. That’s one of the few benefits of
taking the early rock star death.
Neither critics nor fans need watch you deteriorate before their eyes.
I’m happy I went. The show was hyped for months. The tabloids screamed, “Prince regains his
mantle.” “His best CD in 10 years.” “The only show of the summer to sell-out
everywhere.” Prince had become a media
darling again. I decided to go after
reading an email interview with him in the Boston Herald. I was happy he said, “In truth, as a people,
we have 2 get back 2 God. In ALL things.” I brought tickets to “a nearly sold
out show” on the second day of a three-night stand in Boston. Although my date and I managed to move into
the second row of the balcony, there weren’t many empty seats at the Fleet.
I had seen Prince live three times before:
the “1999” tour at the Boston Garden, Purple Rain at the Long Island Coliseum
(by time this stoned head got around to buying tickets for the Boston Purple
Rain tour the teeny boppers had snatched them all up). And I was at the famous 1986 surprise show at
the Metro. I dug him after the second
album, Prince, but was captured by his third release, Dirty Mind. I felt like he was a manifestation of my own
muse. He was speaking directly to me and
my people. I rode the crest through
Purple Rain and hung in there for a few more CDs before giving up on him.
There is a real bittersweetness in
watching an artist you love move into superstardom. I was happy that more people were giving him
recognition. That he was being rewarded
financially for his gifts. That if a lot
of people are really digging him maybe you aren’t so far out after all. And, of course, there is the pleasure of
being prescient enough to see the diamond in the rough. But, the downside is strong as well. I saw the teenyboppers, middle-agers and
generally unhip start coming around because the mainstream press pushes the
album or movie. And every magazine from
Ebony to People is putting your boy on the cover trying to cash in.
Even though Prince had played big venues
on the 1999 tour when the Purple Rain tour hit town in 1995, it felt like my
family had suddenly adopted a bunch of nerdy fosterkids and now I had trouble
getting to the table for my food. There
was strength in numbers, but I questioned these new folks’ commitment to the
vision. What was that vision again?
He reminded us of a bit of the vision the
other night. He chanted, “People call me
rude. I wish we all were nude. I wish there was no black or white, I wish
there were no rules.” In case that was a
little unclear, he also played “Dance, Music, Sex, Romance” which is perhaps
the most succinct verbalization of the vision.
Despite, or because of all the sexual imagery, Prince was the preeminent
80s party guy. Along with Rick James,
who recently died of “natural causes” following years of chemical abuse, Prince
was the supreme funkster of his time. As
he started to slide in the 90s he spelled it out for all those too dense to get
it. “My name is Prince and I am
funky.” It was almost as sad as the
middle-aged ladies wearing t-shirts to the Musicology show claiming they were
“True Funk Soldiers.” As if a true funk
soldier would need to buy a $30 t-shirt to tell you that.
The funky music was always there, but in
the early days it took a backseat to the sex.
That was the thing, of course, that put him over the top. Maybe because he was still in his
post-adolescence when he tasted industry success, he captured a horny gestalt
with abandon and innocence. The girls
loved him because he was cute and always had boudoir ballads on his disks as
well as get up and dance jams. The guys
loved him because he spoke what was on our mind, maybe nowhere better than
“Dirty Mind.” And he did it with a
creative sense of humor and a funky downbeat.
But, with Prince, you also got something
else. You got a mysterious, spiritual
connection. From chanting the Lord’s
Prayer on Controversy, to the psychedelic mushrooms on the cover of 1999, to
the “Love God” graffiti in Purple Rain, there was always a devotional element
to Princes music. And with a dearth of
interviews, he left the heads to interpret it however suited us.
Despite the blatant sexual hedonism, I
always felt Prince was a spiritual artist.
Given what has gone down in recent years, I feel vindicated in that
assessment. From early on he captured my
fascination with both sex and God. I
didn’t want to give up either and he was clearly exploring and praising both in
his music. Although the sex was more in
the face, the God piece could be discerned if one looked for it. That’s how God is.
I hung in with him for a few more once a
year albums after Purple Rain. I even
went to see “Under the Cherry Moon” multiple times (once on mushrooms, although
I don’t recommend it). I even saw
Graffiti Bridge in a theatre – and stayed to the end.
I remember when I finally broke ranks with
his Purple Badness. At the end of
“Around the World in a Day” he captures a conversation in the studio between
him and God in the song, “Temptation.”
God takes Prince to task for the same things Tipper Gore had earlier,
his overt obsession with sexuality.
Prince struggles with his Creator on the track. Initially screaming, “Nooo!” at his
punishment, death. Then seemingly reborn
reports, “Now I understand. Love is more
important than sex . . . I’ll be good. I
promise.”
It’s a conversation few megastars could
pull off straight-faced, but then the boy from Minneapolis was always, ah,
different. The singles from the LP,
Raspberry Beret and Kiss, both received substantial radio play and made
money. But Temptation wasn’t intended
for mass consumption. He was sending a
message to the true believer that he was finally growing up. The creative tension between his adolescent
horniness and the mature artist sensibility had finally been resolved and,
well, the artist had won. But any addict
will tell you that relapse is a part of recovery and it didn’t take long for
the musical sex addiction to reassert itself.
Neither had my life remained stagnant
during all those album releases. By now
I had found my own spiritual path. My
personal connection to the Most High deepened, as did my boredom with the
general sameness of the Minneapolis sound over the years. The life of Prince and my own life had shared
several interests and parallels over the years, but around 1990 we began to
grow apart. I was married with children
and the attraction I used to focus on Prince’s life I now dedicated to saints
who took a more direct approach toward Love and God.
And, just as I gave Prince credit for
gaining some sexual maturity, the Black Album fiasco occurred. According to the rumor mill Prince was
working on this new collection of songs that he pulled before release because
they were too negative. Supposedly the
lyrics were too salacious even for him.
A bootleg copy of very poor musical quality came into my possession
around this time. It was a major seller
by bootleg standards. For me, it wasn’t
even worth the bother of listening to seriously. I considered the entire album a very broken,
very public promise to, not only me, but more importantly to God. I had had enough.
That was about 1992. In all the years since then when I heard of
Prince it was like hearing about someone you used to love. I was a little curious what he was up to and
wished him well, but there was no passion, no desire to understand him.
Then I heard he had become a Jehovah’s
Witness. I heard the news a couple of
years ago, before it hit the major media.
A credible source at the periphery of his circle heard the rumor
swirling around Minneapolis. It seemed
that Larry Graham of Graham Central Station fame had persuaded Prince into the
Kingdom Hall. Now, that was
interesting! Normally I’m not a fan of
religions whose mission includes convincing you your religion is wrong, but
this was too sweet. Can you imagine
Prince coming to your door with a Watchtower?
The irony of the purple pervert joining one of the must conservative
cults (I use that term not in a derogatory way, but as a concentration of
culture) in Christianity was just too good a story.
My love for Prince returned because true
to form he had once again become creative,
which is by definition producing some innovative and different. It is hard to imagine something more
different than the Prince we all knew becoming a Jehovah’s Witness. If there was any doubt in my mind regarding
the authenticity of this rumor it evaporated when I caught the man’s induction
into the Rock and Roll Hall of Fame. In
accepting his award from a gushing Alicia Keyes, he gave thanks to
Jehovah. I had seen Prince “thank God”
at award ceremonies before and his change in language confirmed his conversion.
Allow me to amplify the most peculiar
popular music/religious irony of our time.
Michael Jackson starts his career as a Jehovah Witness youth with a
clean cut image and ends up perceived as a sexual degenerate. Prince starts his career as a perceived
sexual degenerate and in middle age ends up a good guy Jehovah Witness. What is it about this organization that
attracts two of the highest caliber black, male superstars?
So, I decided to go to the show, not
because Prince was promising to retire the old, sexy hits after this tour,
neither was it because I enjoyed his new CD – I hadn’t heard it. It wasn’t even to see “real musicians
perform.” I had seen that before. The driving force in me dropping $100 for my
wife and I to see the show was simply to pay respects to an old friend who
resurrected himself from the ashes of mediocrity by once again making a bold
move. I really wanted to acknowledge
that he had changed his life and I was happy for him. I never doubted he could throw one of the
baddest parties in town and he didn’t disappoint in that either.
By the way, Prince didn’t get where he was
just being a kickass performer, the man is a brilliant marketer as well. In his Herald interview, he talked about the
record industry as we know it being obsolete.
I know ripping off talented artists has been a mainstay of the music
business since before I was born. I also
understand changing his name to an unpronounceable glyph and writing slave on
his face had to do with confronting his former label, Warner Brothers. And in my book, any artist perceptive and powerful
enough to kick corporate America in its teeth deserves applause.
I bought each of the first 10 Prince
albums when they were released (except for the first and second which I went
back and bought after Dirty Mind left no doubt he was a genius). I’ve already mentioned why after 1988’s
Lovesexy, I hadn’t bought another CD by the Artist Who Was Formerly My Favorite
Musical Performer. Well, that was not
true. I inadvertently purchased
Musicology when I bought my tickets to the show. Prince, never shabby in the marketing
department, scored a coup by selling a cardboard covered CD with every
ticket. With a successful tour, that
ploy was enough to push the Musicology CD to the top of the Billboard charts
over the summer. Now, people like myself
who would have never bought the CD ala carte, now own it as part of the entrée.
And to be honest, I was curious to throw
it in and see what all the excitement was about. Alas, it’s not for me. Some nice grooves to be sure, but when I want
to hear Prince, I want to hear the old stuff.
The phrase “shadow of his former self” comes to mind. But that shadow still has more musical
substance and light than most people will ever manifest. So, I’ll dip into the archives every once and
awhile and treat myself to the emotional high I get from the first decade of
his output. And if you want two more
copies of Musicology, you can have mine for shipping and handling.